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When rape is used as a plot device

The problem isn’t so much in the inherent fact that rape is being depicted on television – the problem is how it’s depicted, the motives behind choosing this particular plot line, and the very worrying frequency with which it’s used over and over again in different TV series.

Written by Yong Hui, Change Maker

[Warning: This blog post contains discussions of sexual assault.]

Just a few weeks ago, the TV show Game of Thrones sparked a massive controversy over a certain scene in one of their episodes – that is, the scene where (spoiler alert) Sansa is raped by Ramsay as Theon is forced to watch.

As The Mary-Sue puts it aptly:

“The show has creators. They make the choices. They chose to use rape as a plot device. Again.”

gotFor anyone who’s so much as heard of Game of Thrones, it’s probably of no surprise to find out that one of the most distinctive elements of the show is its gratuitous use of violence. Unfortunately, this also incl udes sexual violence against women, and even more unfortunately, Game of Thrones definitely isn’t the first or only use of sexual violence as a storytelling trope in mainstream media. Just check out this TvTropes page for a small taster.

And guess what? This phenomenon isn’t solely confined to Western media. Yes, the innocent Channel 8 dramas we all know and love are guilty of this as well.

Does anyone remember The Little Nyonya? That show back from 2008 that everyone used to be obsessed with? I was eleven when I watched that show. Apart from the ridiculousness that was casting Jeanette Aw as two consecutive generations of women who just happened to look exactly alike, one particular plot line remains clear in my mind:

littlenonyaHuang Yuzhu, played by Joanne Peh, is a young girl born into an affluent family. She is kind, helpful, bubbly, and generally a pretty nice person.

Her most prominent plot line is getting raped, being married off to said rapist, being physically and emotionally abused by him, being forced into prostitution to aid his business deals, and as a result of this, ultimately going insane and being committed to a mental institution for the rest of her life.

This was a good seven years ago, but this practice of using rape as a plot device is still continuing.

The New Paper ran an article last year where Chris Tong, a Mediacorp actress, describes her role as a “long-suffering, docile housewife character” who is “repeated abused by her businessman husband”, and the arduous process of having to film six separate rape scenes for the period drama The Journey: A Voyage (aka 唐山到南洋).

channel8Clearly, local media has developed the very, very problematic habit of using rape as an easy and convenient plot device. And even more clearly, this has to stop.

The problem isn’t so much in the inherent fact that rape is being depicted on television – the problem is how it’s depicted, the motives behind choosing this particular plot line, and the very worrying frequency with which it’s used over and over again in different TV series.

Let’s start with the how. The problem lies in the depiction of rape survivors. Most, if not all of the time, they’re depicted as ‘damaged goods’, with irreparable damage being inflicted on them by their attackers. It’s terrifyingly common for rape victims to later go insane from the trauma. There’s never really any hope of recovery. And therein lies the problem – that women are depicted as powerless agents, that we have quite clearly done a terrible job of telling the narrative of a rape survivors. Where are the narratives of women overcoming the trauma? Of recovery and rehabilitation? Well apparently they don’t exist. Once the deed is done the woman is forever broken.

As to the motives, it’s quite obvious that rape is being used purely to titillate viewers, and for the pure shock factor of it instead of reflecting the severity of the crime and the (real, actual) consequences on the victim. Rape is often nothing more than a plot device used to generate sympathy/ire at the victim/attacker.

The fact that this problem is so pervasive, the fact that a rape scene can even be shown on a primetime television slot at all – and has been shown, over and over again – reflects very poorly on Singaporean society as a whole.

It’s clear that we still have a long way to go – so where do we go from here?

The best way I can think of is to make some noise. Make yourself heard. Tell people about this problem – it’s so insidious and so normalized and some people may not even realize that it’s a problem in the first place. Educate people.

Be loud. Take a stand. And maybe one day we’ll get there.

For now, though, I like to just turn off my TV and go watch some good old Orphan Black instead.

About the Author: Yong Hui is currently a J2 student in an institution which shall not be named. She’s a huge fan of Broadway musicals, and spends far too much time on Tumblr reblogging gifs of said musicals. When she’s not busy being a Changemaker, she’s probably trying frantically to make change to her dismal Econs grades.

This article was edited on 23 June 2017