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“Are women funny?”

It’s really time to retire these jokes that rely on archaic sexism, and it’s time we stop supporting movies that popularise awful tropes about women – tropes that are just vehicles for women-bashing.

Written by Camille Neale, Change Maker

Avaca movie poster number 1 few Sundays ago, I watched the recently released Vacation. The movie is about a family in the U.S. who, in an attempt to revitalise their annual family summer vacation, decide to go on a road trip to the father’s childhood vacation spot, the fictional amusement park ‘Wally World’.

In a predictable turn of events, the trip goes from bad to worse, much like the movie. One of the opening scenes of the movie involves the younger brother teasing his older brother for “having a vagina.” I’m not really sure what the writers’ (all of whom were men) intentions were with that joke, but I think it says something about the what they think their audience will find funny. When a man is made fun of for being “like a woman,” all women are the targets of the joke, because they are saying that it is shameful to be a woman. There’s nothing wrong with raunchy humour, but there is something wrong when all the jokes the movie relies on are sexist representations of women, transphobia and off-colour racial jokes.

Diversity in mainstream media

diversity-mainThe last six or so years have seen an increasing visibility in discussions of feminism, LGBTQ rights, transgender rights, race relations etc in the mainstream media. Unfortunately, movies such as Vacation, do not reflect this and instead, represent a larger anxiety that characterises a media that is narrow at best; at worst, discouraging growth and progress by continuing the overrepresentation of white-centric and patriarchal tropes.

Vacation reminded me of the typical rom-com/comedy from the early 2000s, a formula that relies on reinforcing gender roles. The sad reality is that most TV shows and movies today continue to privilege a male perspective – not surprising considering that 83% of directors, writers, producers, executive producers, editors, and cinematographers working on the top 250 grossing films in the US in 2014 were men.

It’s really time to retire these jokes that rely on archaic sexism, and it’s time we stop supporting movies that popularise awful tropes about women – tropes that are just vehicles for women-bashing.

Feminist comedy

Mindy-Project-600TV is actually faring better in terms of diversity of roles for women than movies. While there is still a ways to go in terms of racial diversity for women comics on TV, I think the rise of feminist comedians – comedians who use their comedy to push a feminist agenda – are meeting the demand of women who want comedy that speaks to their lived realities. Where they can see women characters that are more than simply the love interest or the unfunny extra. As women comprise half of the world’s population, this is a considerable target audience, to say the least.

Feminist comedy can indeed draw a wide audience, because if you write good comedy, then people will watch it. The recent success of comedy produced by, and for women such as Inside Amy Schumer, Broad City and The Mindy Project have helped to answer the age-old, sexist question: “Are women funny?” Inside Amy Schumer, a show featuring sketches, stand-up and interviews all written by Amy Schumer, draws a 50/50 men to women demographic. Almost every sketch on her show deals with gender politics. Broad City, a show with two women as the lead characters similarly deals with feminist issues. Essentially, these women are being portrayed as human beings, not as some Hollywood, male fantasy image of a woman, and they are allowed to be funny on their own terms, and this is why it is so great. These are shows about all types of women, not just one. These characters are just who they are, they deal with the comedic struggles of daily life as a woman. And they are pushing the boundaries on how women can be funny – through stoner jokes, sex jokes, and even toilet humour.

An article on Policy Mic posits that comedians are helping to push gender equality issues into the mainstream media. This is because they are able to make feminism more accessible to the general public, which somehow makes them more acceptable than gender equality advocates themselves. Nevertheless, they’re making important moves to draw attention to the very real challenges and problems of living as a woman. We are now seeing more young women willing to engage with feminism, and a better understanding of the way sexism hampers women’s experiences.

Gender advocacy

emma-watson-he-for-she-speech-1Sadly, the response to women who address feminist issues but are not comedians is much less positive. Women who seek to create a public dialogue about gendered issues are often told to be less angry, or even threatened with violence. When Emma Watson presented her ‘He for She’ campaign at the UN she received many threats of violence from men. Random men on the internet asserted that if sexually explicit photos of Emma Watson emerged online, her feminist views would be somehow less valid.

It seems that men are willing to engage with the problems of sexism if the women who talk about them are funny. This has not done much to advance the agendas of gender equality advocates however, so it’s important not to forget about these real systemic inequalities that must be tackled. What these comedians do offer is an alternative to the messages that a patriarchal mass media bombards us with. It’s time men stop being shocked when a woman tells a joke that is actually funny. Women should be allowed to be the class clowns too.

 

About the author: Camille is a recent university graduate who is still figuring out what she wants to do with her life. She hopes that whatever that is, she will be able to wear a power suit and be really intimidating.