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The Women of Hip-Hop

Written by Sriraksha Raghavan

Hip-hop music is considered a highly misogynistic and the lyrics do often portray women in poor light some going as far as making rape references. The genre comes under fire regularly for this reason. This has created a very poor reputation for the genre, which initially emerged as a way for people to voice their struggle, make it an art form. In light of all this bad press it is fitting to mention some pioneers in this area of music. We can thus clarify that which Hip-Hop has some problematic musicians, it is not a problematic genre. It has a fascinating body of work. Here are some women who have contributed to it.

1. MC Lyte

mclyteMC Lyte is the first female rapper to put out a full length solo album. Her songs are in-your-face cheeky and she is hailed as a feminist icon for her hard core rap with a no nonsense persona. She is the founder of the “Hip Hop Sisters Network Foundation” whose tagline reads ‘Redefining the essence of women through Unity and Empowerment’. The foundation works to promote a better image of women from different ethnicities, apart from providing all sorts of assistance, support and even a scholarship to women of colour. Her work clearly speaks for her more than any description can.

2. Lauryn Hill

laurynhillShe was extremely popular as a member of the hip-hop band the Fugees. The name of the band is from the root word Refugee and their music was largely about black empowerment making it highly relevant today. It was however with the release of her first and only solo album that Lauryn sky-rocketed to stratospheric acclaim. The album was called ‘Miseducation of Lauryn Hill’. Apart from being a body of work that brilliantly elucidated what it is to be a woman, the album is also a juggernaut of technicality, showcasing her unbelievable artistry. She went on to win five Grammy awards for this album including album of the year.

3. Queen Latifah

Jan. 8, 2014 - Los Angeles, California, U.S. - QUEEN LATIFAH attends the 2014 People's Choice Awards at Nokia Theatre L.A. Live. (Credit Image: � D. Long/Globe Photos/ZUMAPRESS.com)

Queen Latifah requires no introduction because she is jack of all trades and master of them all. Her musical beginnings were with beat boxing for a hip hop group that caught the attention of major label executives leading to her first album. She is famous for rapping about sensitive subjects like domestic violence, street harassment and harassment in relationships.

4. The Lady of Rage

The Lady of RageBorn Robin Yvette Allen, The Lady of Rage is known for her work with fellow rappers Dr.Dre and Snoop Dogg. Her style of rapping has earned her critical acclaim. She is known for having a deep understanding of poetry, its delivery and flow and wordplay. Her contribution to Paul Edward’s book ‘How to Rap’ shows how much of work and study she puts into her vocation.

5. Yo-Yo

Screen Shot 2016-03-31 at 12.29.07 pmTo summarize what kind of trailblazer YoY o is, she called her team IBWC which stood for ‘Intelligent Black Women’s Coalition.’ She says that her heavy interest in poetry was channelized into rap after watching a performance by Roxanne Shante’. She made a successful transition into movies in 2000s while continuing to work on her music.  

 

About the Author: Sriraksha is a student with a passion for learning and believes that if you learn anything in depth, a passion for it will follow. She thinks that the best way to enrich one’s life is to enrich that of others and hopes to do that for a living one day. 

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Pathbreaking Tamil movies you will love

Written by Sriraksha Raghavan

The Tamil cinema industry was a game changer in the early era of films, with movies dabbling in multiple perspective storylines (nootruku nooru), social stigmas (arangetram) and essentially trying to usher a new world by showing people a new way of life. They touched on themes that were controversial and thought-provoking. One of the most prolific directors during this time was K.Balachander and his movies had a nuanced way of tackling complex subjects. His portrayal of women was often in a progressive and honest light, showing them smart and tough and angry and scared and most of all, human, and it is something he is praised for even today. Here are just some of his movies and why they are worth watching.

Iru Kodugal

A movie about a lady who doesn’t get accepted by her husband’s family and so returns to her father while pregnant. She then goes on to become a high-profile bureaucrat under the encouragement of her father braving all odds. She raises her son as a single parent and braves the rumours spread by her co-workers who are jealous of her. The movie dealt with sensitive subjects like single parenting, divorce and workplace harassment while keeping in mind the social climate of the ‘60s making it a thought proving watch with a female lead that braved poverty and social stigma to finish victorious.

Arangetram

Screen Shot 2016-02-04 at 11.22.32 amA movie about a young woman who decides to work as a sex worker in order protect her family from the clutches of poverty. The movie was very controversial at the time of its release, owing to the way the director had approached the movie, making it a gritty, honest movie about the fate of a girl who will do anything for a family that cared little about her. The protagonist is a woman who showed viewers that nothing could define her but herself, and ultimately for her, that was enough. When her family found out about her profession, they disowned her. With that, the director showed the fixations of the society that couldn’t look past its own limitations.

Aval Oru Thodar Kathai

Screen Shot 2016-02-04 at 11.24.10 amOne of his most popular movies, Aval Oru Thodar Kathai talks about a working woman who shoulders the responsibility of her family while trying to maintain a life and identity on her own. It addressed the life of an everyday woman in a way that had never been done before, as a breadwinner, a game changer. This movie is a classic for its rounded portrayal of a woman, as one who cannot be put into boxes, and is full of contradictions. By doing so, the protagonist seems genuine, a friend, a co-worker or someone we see on a bus. This was the biggest achievement of the movie, making us see the brilliance of everyday life and the genuine way women live.

Apoorva Ragangal

Screen Shot 2016-02-04 at 11.25.38 amA movie based on the complexity of human relationships, handled with authenticity and backed by incredible performances is hard to come by. Apoorva Ragangal is one such movie, which deals with the relationship of an older woman and a younger man, without stereotyping it but by handling it with tenacity. The movie breaks stereotypes about how women are expected to behave in relationships (women were expected to be subdued and accept what a man says). But here, we see the women are in charge of their lives and not afraid to go against the grain.

 

Moondru Mudichu

Screen Shot 2016-02-04 at 11.26.13 amThis movie is a revenge tale about a girl whose boyfriend dies in a freak accident orchestrated by his best friend, who is actually in love with her. She then seeks to avenge his death. A dark tale about love and friendship, the movie highlights the relationships of all the characters as a whole and their individual relationships, showing that humans are all neither good nor bad, but fall in that spectrum of grey. She sets out to take revenge, but what the movie ultimately highlights is, how she defines how the horrors of her will life influence her. She ultimately does not let bitterness get the better of her and instead comes out unscathed, and the strength she embodies is inspiring.

K.Balachandar was one of those men who could make everyone think, with movies that had ambitious themes grounded in reality. The cinema of today have a lot to learn from this. What we see today is unrealistic portrayal of both men and women, with exaggerated qualities of masculinity and heavy reliance on gender stereotypes (men who can fight off ten gangsters, women whose sole occupation is thinking about these men etc). This sends the wrong message to people and if we can instead take a leaf out of K.Balachander’s book and make movies about real people, our society will benefit from it.

About the Author: Sriraksha is a student with a passion for learning and believes that if you learn anything in depth, a passion for it will follow. She thinks that the best way to enrich one’s life is to enrich that of others and hopes to do that for a living one day. 

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Taylor Swift, Meghan Trainor, and the Appearance of Gender Equality

Written by Kimberly J, Change Maker

I would like to start off this article with a disclaimer: I am not advocating the comparison of women. People should be allowed to live their lives in their own ways, different as they may be. However, I would like to use the differing treatments of the two women in question to explore a strange and somewhat distressing phenomenon in the pop music industry.

Taylor Swift is often mocked and disparaged by men and women alike for her lyrics about her romantic Screen Shot 2015-06-08 at 5.37.40 pmexploits. I will not expound on the insults I have heard about her (“ew, you like Taylor Swift?”), nor will I attempt to describe all the face scrunches I see when I say her name (A one-sided affair, with the cheekbone raised so high that a part of the left eye gets obscured from view in disgust). I will, however, point out that it seems socially acceptable to abuse her for her adventures in dating. This seems to stand in spite of the seemingly contradictory praise of male artistes who write songs about their exes or love interests.

It is true that Swift’s older lyrics focused on hate for her exes, and often promoted putting other women down. However, her recent open rallying for the cause has been raising much awareness amongst her fans. Her admission of her previous mistakes regarding feminism is admirable. Her relentless insistence on talking about it, her determination to call out the problematic qualities of the media that facilitated her fame in the first place – these little things she has done look worthy of some impressed raised eyebrows, yet are constantly swept under the rug in exchange for more talk of her exes.

On the flip side, Meghan Trainor has been hailed as a feminist, ever since her catchy song All About that Bass, attracting a lot of praise for the seeming body positivity, and one too many treble/trouble puns.

Meghan Trainor All About That Bass.jpegHowever, Trainor is also known for refusing to identify as a feminist. Her misguided ideas about feminism seem to tie in with the accusations of body-shaming (as in the lyrics “skinny bitches”), and the promotion of the idea that a larger body is only acceptable because men like it. Trainor doesn’t seem to be a feminist, yet much of the approval she receives tends to stem from body positivity and feminism. She is profiting from the very cause that she rejects.

Audiences seem to have mismatched attitudes about Swift and Trainor, and it appears to stem largely from Swift’s illustrious and public dating history.

Swift’s nods to feminism are often buried under a layer of subtle Grade A slut shaming. Her entire career is shaped almost entirely by the people she has dated. Sure, she has deviated from that lately, but it doesn’t change the fact that she started out as a young girl with a penchant for romance and crying on musical instruments. Yet the media thinks it appropriate to package her career – this adolescent naïve 16-year-old girl’s career – as a train wreck of failed relationships, casually ignoring the very point of dating. Trainor, on the other hand, is the same misguided young woman who has much to learn, yet is commended for her problematic journey of body positivity.

Screen Shot 2015-06-08 at 5.37.47 pmThis is by no means a competition (though the music industry might beg to differ), but a display of the gross double standard that many of the audience adopt. Feminism seems only applicable to certain people when it suits their needs; when its name rears its ugly head fighting for the rights they take for granted, they fall back into the protective bubble of social acceptability. It doesn’t matter to them if the feminism they like comes at the expense of others. As long as the word “feminist” and its underwear-tossing, fire-hazardous connotations are avoided, the party can continue.

At this point I feel obliged to announce that I am perfectly aware of the fact that I am talking of women who are incredibly privileged. The collection of the following traits: white, American, and earning a substantial amount of money from their careers seems like an invitation to the very same criticisms faced by first wave feminism. I acknowledge the limitations to this exploration, though the basis of my observations stand.

I implore the consumers of pop music to think twice before automatically dismissing Taylor Swift or embracing Meghan Trainor. You might dislike/like her songs, or you might dislike/like her, but I would examine why. Pop culture always seems like the background hum of our lives, but maybe paying attention to it and taking it a little more seriously can reveal a lot about internalised slut shaming, and finding that there is so much to unlearn.

About the author: Kimberly is a somewhat ambitious NUS undergraduate who has always dreamed of writing her own About the Author section. She retains much hope for eventual equality, and is willing to fight the currents to get there.