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Beyond The Binary: Ending Transphobia

by Kelvin Ng Jiawin, Change Maker

“My death needs to be counted in the number of transgender people who commit suicide this year. I want someone to look at that number and say “that’s f**ked up” and fix it. Fix society. Please.”

pic1transphThe last lines of Leelah Alcorn’s suicide note highlight what’s most heart-wrenching about her suicide: that it is not an isolated incident. Leelah Alcorn is one name in the long list of transgender individuals who have faced violence and hostility due to their gender identity, including Islan Nettles, Tiffany Edwards, Zoraida Reyes and Kandy Hall.

Transphobia is a unique form of gender-based violence that remains painfully under-discussed in mainstream discourse, but as recent events have shown, this is a necessary conversation to have – something needs to be done about the discrimination of trans individuals.

“Huh? Transphobia? What’s that?”

Let’s get some definitions out of the way, first.

  • Assigned sex: The sex you were assigned at birth and put on your birth certificate.
  • Gender identity: The gender you identify with; may correspond to or differ from your assigned sex! I can be assigned male at birth, and identify as a female.

For most people, gender identity has never been an issue. Most tend to simply take their gender for granted as they feel comfortable identifying with the gender they were assigned at birth. Individuals whose gender identity match their assigned sex are known as cisgender.

However, it is important not to universalize this experience: for many, their assigned sex simply does not reflect their identity as a human being. Trans individuals can identify as male, female or outside of the gender binary (i.e. neither male nor female, but as genderqueer, agender, non-binary*, etc.).

Simplistically speaking, transphobia arises from firmly conforming to concepts of sex and gender. Most of mainstream society tends to associate gender identity, assigned sex, gender expression† (and to an extent, sexual orientation) as synonymous concepts; this results in gender roles and stereotypes that affects cisgender, or ‘cis’, individuals as well (cis women, for example, are expected to conform to the feminine ideals of subservience and silence).

While society today, by and large, are more tolerant of cis individuals who don’t conform to a certain gender role, the discrepancy between a trans individual’s gender identity and assigned sex can be met with hostility due to ignorance. In reality, however, there is no one way to be human: just because something is more common doesn’t mean it is any more normal or natural, and it is perfectly normal to feel alienated in one’s assigned sex.

joelizTransphobia is also reinforced by the underrepresentation of trans people. Rarely do we see trans people being adequately represented in governance, civil society or the media. This creates ignorance: people tend to form stereotypes of trans people from whatever little they are exposed to – my first exposure to the word “transgender” came in the form of a disparaging insult toward how another person looked. Trans identities are relegated to punchlines about vacations in Bangkok and deemed perverted or unnatural. It becomes easy to demonize entire groups of people you don’t know much about, but the fact remains that trans people do exist and they don’t just come in the form of shimmying drag queens (they can, and there’s nothing wrong with that!) – they lead human lives as do all of us.

“But why should I care? It’s not like I’m actively persecuting them!”

Leelah Alcorn’s case has illustrated two important things: first, violence does not merely come in the form of in physical abuse or assault, but also (and perhaps more insidiously) in a disregard and disrespect toward a person’s gender identity; second, this violence can be inflicted by anyone – people like you and I, and in Leelah’s case, her very own mother. Hence, it is important to to be mindful of the effect our words and actions may have on trans individuals.

As a cis male myself, I find it essential to recognize the privilege I possess by virtue of my gender identity – while I try to do all within my means to be inclusive toward trans individuals, there is no denying that I myself benefit from a system that actively marginalizes them. Other than the misgendering and exclusion Leelah faced, trans individuals also face harassment, hate speech and violence in schools, at work, in public spaces or even at home. Employment discrimination continues to be rampant as ever against trans individuals, and trans people are still routinely excluded from gender-exclusive spaces as well as basic medical care. In Singapore, trans identities are not legally recognized until after transition, which can be an unaffordable luxury; this deprives trans people of the right to identify as who they really are.

“Transphobia sucks. What can I do as a cis ally?”

While it may be hard, and inaccessible for many, to push for legislative change on an individual basis, cis individuals can play a part as an ally by being more mindful to create a safer place for trans individuals.

The first step in doing so, undoubtedly, will be to respect and recognize a trans person’s gender identity and the terminology they choose. Use their preferred pronouns when addressing them and avoid misgendering them by using their name or gender pronoun assigned at birth. It is also important to realize that their narrative is no one else’s to craft but their own, and to respect their right to do so.

We also have to be respectful about boundaries; be fully aware about confidentiality and exposing a fellow trans person, unwittingly or otherwise, as this may create backlash especially in intolerant settings. (Not to mention the fact that invading someone else’s privacy is a completely asinine thing to do.) Avoid asking about a trans person’s “real name”, or genitalia, or sex life – not only can it be a trigger for unhappy incidences, you wouldn’t ask a cis person the same questions either!

Lastly, actively challenge transphobia – both internalized or otherwise. Growing up cisgender, it can be easy to disregard the existence of trans people. The fact, however, is that this willful ignorance does nothing for trans people – it doesn’t shift the status of their rights nor change the harassment they face on a daily basis. Challenge transphobia by calling out anti-transgender jokes and remarks in public spaces, by supporting gender-neutral language and facilities, and most importantly, by listening to trans individuals. It doesn’t matter if we’ve been problematic in the past – what matters is that we’ve learned from those mistakes and are consciously working towards creating a safer world for our fellow trans friends.

* Genderqueer individuals don’t identify as either male or female, agender individuals don’t identify with any gender at all, while non-binary individuals identify as a gender other than male or female.
The manner you express your identity, via mannerisms, fashion or behaviour. May or may not correspond to the former two categories; cis males who perform in drag adopt a gender expression considered feminine.

pic1About the Author: Kelvin Ng is a debater by training and part-time poet. His biggest accomplishment is remembering all the lyrics to Beyonce’s ***Flawless — both the original one and the Nicki Minaj remix — so that must mean something.

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Some Reassembly Required: An Interview with Chris Khor

Interview conducted by Sing Rue, Change Maker

Christopher Khor is a transgender man who has been making headlines in Singapore with his upcoming documentary “Some Reassembly Required”. The film will document his reconstruction and is the first film on transgender men in Singapore. His team raised over $14,000 through crowdfunding earlier in the year for the documentary. We talk to Chris about his thoughts on transgender visibility in Singapore, and globally, gender diversity and what we can expect from the film.

Sing Rue: Can you tell me more about some of the misconceptions you intend to address in this documentary? What are some of the important things people need to understand?

Chris Khor: I think the biggest misconception about transgender people is that people can’t be transgender and gay/lesbian. I get that it’s confusing – I’ve had trouble explaining it to my family members myself. But it’s important to know that being transgender relates to your gender identity, and gay to your sexual orientation, so they’re very separate things. As for me, I identify as a straight transgender man.

SR: Recently, transgender women such as Laverne Cox are gaining visibility, but not so much for transgender men. Why do you think this is so? How do we bring about greater visibility for transgender men?

CK: I think the reality is that transgender men often can fade into the shadows. A lot of transmen that I know do not want to seen. Transmen are men, but there is still a lot of workplace discrimination, and there’s always that fear that someone will view you differently. I think the best way to bring about visibility is to create a safe environment in which they are willing to not be stealth, without having to fear jaundiced eyes and discrimination. Of course, then it’s up to them.

SR: As a gender non-conforming person myself, I am incredibly grateful to you for coming out in such a public way to share your story. What prompted your decision to do so? How is the response so far and how do you feel?

CK: We decided to make this documentary after a chance encounter with a transgender man in San Francisco. Geraldine tells this story better, but in essence, he was the first transgender man I’d met in person. And he’d just gotten married, and his wife is lovely. I think it gave me the first semblance of the life I could live, and that was encouraging to me on a personal level.

After that, Geraldine and I began talking a lot more about what being transgender meant to me, and we realised we had a great story. Still, it took me months after that to agree to being the subject of my own film!

It’s a privilege to be in this position, to educate and bring hope. The response has been overwhelming. I’m incredibly thankful for everyone’s support. But the best part has been getting messages from other transguys, looking for advice and sharing their experiences. It’s so important that we start to build a community that isn’t afraid to reach out to one another, especially since it’s so much easier to just “be stealth”.

SR: You seem to be very comfortable with your gender identity and who you are as a person. Is there anything you would recommend to people who are currently struggling with their gender identity and are not in such a good place as you are?

CK: Oh, it helps that I’ve always known I was a boy. There was never any doubt in that regard. I struggled a lot with not being able to accept the body that I have, even after surgery. The best advice I have, in this regard, is that you are bigger than your body. That your soul is more valuable that anything that people see. And you deserve to be loved. That’s going to sound cheesy, but it’s true. Sometimes, that self-love is the only thing we’ve got.

SR: There are some who have come to a place of self-acceptance with regards to their gender identity, but still face opposition from society. Do you have any advice for them? What were some support systems you had that helped you?

CK: I was very fortunate to have the support of my lecturers when I came out in university, and when I worked at a cafe when I was younger. I’ve found that support tends to spill down from the top. A lot of it, I think, is knowing your own worth, and realising that you can walk away from people that don’t treat you with respect. I’ve found that some of these relationships can be unhealthy, like tumours, and you should get rid of them, like…tumors.

SR: What steps do you think we need to take as a community to continue an open dialogue about gender identity, diversity and acceptance? What are some actions we can take as individuals for positive change?

CK: I think we need to talk to each other, instead of talking at each other. Dialogue can only be had if people are listening, and respectful. This applies for communities and individuals. Be kind. Give more love. Be slow to respond in anger. Be willing to talk, to understand different perspectives, and do not fear being wrong. This all sounds extremely airy fairy but it’s true. When we see each other as humans, rather than labels, then the world will be a happier place.

So, to put those things into practice: be respectful when talking to others. Make no assumptions because of people’s labels. Understand that everyone is different, and that’s okay. These are not battles to be won – these are people to be loved.

SR: I can’t wait for your film to be completed! In the meantime, do you have an exclusive teaser to share with those of us who just can’t bear the wait?

CK: We’re in the early stages of production, so we’ve just started lining up interviews. Look forward to our web content though! It’s mad season at work, but we’ll have a video going up pretty soon!

—–

Check out more information on Some Reassembly Required here: http://www.somereassemblyrequired.com/

‘Like’ their Facebook page to get more updates here: https://www.facebook.com/somereassemblyrequired

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Fat Woman

by Manessa Lian, Change Maker and Body/Language creative writing workshop participant. This piece was performed at the Singapore Writers Festival in November 2014 and Breakthrough: We Can! Arts Fest in December 2014. 

When I was a child
I first learnt that bigger was not always better
Because those were the days
They sent the biggest kids for classes
Extra classes after school
Which should have been fun
Because we actually got to roller-blade
But because everyone knew who those classes were for
Nobody wanted in
We held our breaths
Our Physical Ed teacher
Scanned the class for those whose sizes did not conform
Singling them out with a crook of the finger
I was one of them

When I protested for being one of the chosen ones
The PE teacher turned to the class
And duly informed them that I was a time-bomb
A walking health time-bomb
I would drop dead any moment
From a heart attack or a stroke
All because I refused to attend the extra class
I went, of course reluctantly
Walked away without getting any smaller
Except for my self-esteem
I learnt little about roller-blading
Mainly how to fall safely on my butt
And I had the honour
Of having the cracks in the courtyard attributed to my name
It was the year we learnt about Hiroshima and Nagasaki
So I had a new nickname: Fat Woman

Eventually I left school
But I realised I never truly left school
The mocking eyes of the classmate who felt entitled to take my sandwich
Turned into those of the waiter
Who judged what I chose to order
That was why I chose to buy my clothes online
Because when I cannot be seen or heard
I cannot be judged
But I have always wondered
Why the need to pay more for a few more inches of fabric?
What was normal, what was plus-sized?
Maybe it was just like my high school friends
They insisted I pay more for our shared lunches
Because who would believe someone of my size didn’t eat more than they did

So I worked hard
So that I could pay
For the right to dress up and be beautiful
For my lunch appointments with the same high school friends
Even if all they talked about were the people
That they had the freedom to love
Not for me
I learnt the freedom to love was never for me
Many people would love to have a fat friend
Because it would make them look thinner
And because it’s hip in this era to say
“I don’t fat-shame!”
As long, as I stayed platonic
But when I forgot my place
I turned into a terrifying Godzilla
Striking horror into the hearts of the innocent
“Shameless! Get away from me, FAT bitch!”
When all I wanted to do
Was to love them
But
Some people’s love is less equal than others
Especially when you have a nickname like Fat Woman

My nickname is Fat Woman
But unlike Fat Man
I was taught never to explode
And incinerate all those who have ever hurt me
Instead I am expected to implode
Slowly
Killing myself from within
But there are other ways of dealing with bombs, isn’t it?
I fought hard
To exorcise the demons that others had planted onto me
Sometimes in the depth of the night
I would recall the things I did not want to
Reopening all the wounds that nobody could see
Inflicted yesterday on this body of mine
But when dawn comes
I defuse myself.

About the Author: Manessa Lian writes because she loves, and because she loves, she writes. Through her writing, she hopes to get people thinking and talking about various social issues simmering below the surface.

 

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My Experience at the Body/Language Programme

by Kelvin Ng Jiawin, Change Maker and participant at Body/Language creative writing workshop

photo (1)I joined Body/Language, a creative writing workshop developed by EtiquetteSG and We Can! Singapore, for a simple reason: it combined writing and feminism, two of my favourite things. Needless to say, my expectations for the workshop were high. What I did not expect, however, was how much I gained from the workshop in return — besides affording me a creative platform to express my personal experiences with gender issues, the workshop prompted me to reevaluate my own conception of gender-based violence.

A wide range of topics were covered throughout the four sessions, as my fellow participants and I discussed issues of beauty standards, religion, gender stereotypes as well as institutional sexism. Manessa Lian, a public workshop participant, says, “It was an empowering experience, to be able to use poetry to talk about things that otherwise are rarely voiced out.”

Despite being the only (cisgender) male in the workshop, I never once felt left out, not only because I was able to share my own experiences with deviating from gendered ideals, something I’ve never been able to do comfortably in a mainstream setting, but also because I truly learned a great deal about how issues usually thought of as trivial, such as daily microaggressions, can realistically perpetuate more harm than we’d like to think.

1523098_871894242845508_7416063464966567862_oThe facilitators of my workshop, Nurul and Anne, were nothing short of stellar. They were simultaneously professional and personal throughout the four sessions, and succeeded in fostering an atmosphere comfortable enough for everyone to share their honest opinions. I particularly liked the ground rules democratically established on the first day, initiated by Anne; it provided a useful framework for our later discourse and ensured that no boundaries were transgressed.

I wasn’t the only one who felt this way; Sahar Pirzada, a fellow GEC workshop participant, says, ”The environment created by the facilitators of the course was one of warmth, support and trust. I felt safe to put my unique voice out there without fear of judgement from the facilitators or my peers. The positive support I received from the participants in my cohort of Body/Language encouraged me to perform at SWF.”

Knowing that it would be the first time performing a spoken word piece for most of us, Nurul also helpfully shared a few spoken word videos so we’d have a better idea of the techniques and forms that could undergird our works. At the same time, however, it was emphasised that we didn’t have to confine ourselves to any format or structure, and encouraged us to express ourselves in the most comfortable way, however informal or unstructured. Anung D’Lizta, a HOME workshop participant, opined that, “A lot of our feelings can’t be talked about, but it can be shared through our writing.”

10856490_871893199512279_6637369888932692318_oAs we began producing our works in one of the later sessions, the facilitators would go beyond providing helpful technical advice — they’d also initiate a conversation with us to understand where we were coming from, and why we wrote what we did. It was all done in a respectful, understanding manner, and other than providing a catharsis of sorts, both facilitators also shared really germane advice on our personal issues. Throughout the workshop, there was a significant amount of time devoted to conversing with each participant personally, yet in the end, no one was left out and everyone was catered to.

My facilitator, Nurul, shares, “It’s a beautifully designed workshop program that enables participants to tap into their inner writing warriors, most of which is driven by personal experiences that they have never or yet to articulate. It was evident that for most of the participants, it became a cathartic outlet to express themselves, not just through words, but through poetry, which allowed for a more creative and powerful resolution. The workshops also presented many participants the opportunity to discuss issues on a wider scale, having come with different perspectives on different issues.”

I had mixed feelings about sharing and performing my piece in front of the class during the last session — I was undeniably excited to let an audience hear it, yet there was an inevitable sense of anxiety and self-doubt. I couldn’t have asked for a better group of people to share it with, for everyone was immensely supportive and encouraging. Constructive feedback was provided in a very respectful manner for every participant’s work, and I really enjoyed listening to all the pieces written by my fellow creative minds! I left the workshop not merely with a poem I’m proud of, but with so much more — a better understanding of the different dimensions to gender violence, a stronger mastery of poetry-writing techniques and above all, a group of really kickass feminist friends.

pic1About the Author: Kelvin Ng is a debater by training and part-time poet. His biggest accomplishment is remembering all the lyrics to Beyonce’s ***Flawless — both the original one and the Nicki Minaj remix — so that must mean something.

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Boyhood

by Kelvin Ng Jiawin, Change Maker and Body/Language creative writing workshop participant. This piece was performed at the Singapore Writers Festival in November 2014. 

Dear 12-year-old Kelvin,

You are more than a simple three-digit test score, so
Don’t quantify your existence as a numerical term,
Don’t reduce yourself to a statistic that says nothing about you,
And don’t force yourself to see your image in white, able-bodied, cisgender, straight men;
Also, you’ll learn how to say “fuck you”
In a B-grade horror movie starring a white, able-bodied, cisgender, straight man;
But it’ll take you much longer to learn
How to say “fuck you” judiciously.

Dear 13-year-old Kelvin,
You came from an all boys primary school
Masquerading as a missionary boarding school with its fancy art deco facade,
And this may seem like a major revelation to you, but:
Men are not from Mars, they’re from Planet Earth;
Women are not from Venus, they’re from Planet Earth;
So stop trying to be a pseudo-Martian and just, you know, be yourself.

Dear 14-year-old Kelvin,
Just because everyone around you has a girlfriend,
Doesn’t mean you have to have one.
Take some time off, and get to know both herself and yourself better.
Also, banish the word “friendzone” from your vocabulary;
Expel it, exile it, extradite it altogether,
Because friendship should never be an insult.

Dear 15-year-old Kelvin,
You catch yourself stealing glances at the James Franco-lookalike in class,
And you catch yourself playing Born This Way on repeat a little too much;
Now repeat after me:
One: That is entirely normal,
Two: That doesn’t say anything about masculinity;
And three: What is masculinity, anyway?

Dear 16-year-old Kelvin,
You don’t have to take an all-science course just because you’re male,
You don’t have to force yourself into a sport you hate just because you’re male,
You don’t have to install DOTA2 on your laptop to get street cred just because you’re male.
I wish I could go all Butler on you — and read her, you’ll love her —
You literally don’t have to do anything just because you’re male.
(By the way, yes, I mean literally — check your privilege.)

Dear 17-year-old Kelvin,
You know what people say? That eating disorders are for girls only?
You’ll learn how insidious that twisted illusion is,
You’ll realise that there’s no point starving yourself and tasting the acidic tinge of your bile every recess,
You’ll discover that there’s so much more to life than trying to look like the Abercrombie and Fitch model gazing down at you, disapprovingly, when all you’re trying to do
Is to get to Kinokuniya across the street.
You learned the word “fuck” five years ago, now say:
Fuck body standards, fuck anyone who thinks you’re too fat, fuck anyone who thinks you’re too thin.

Dear 18-year-old Kelvin,
You just watched Boyhood,
And you can’t help but feel slightly alienated;
But remember:
You don’t have to see your image in a white, able-bodied, cisgender, straight man.

Sincerely,
19-year-old Kelvin.

pic1About the Author: Kelvin Ng is a debater by training and part-time poet. His biggest accomplishment is remembering all the lyrics to Beyonce’s ***Flawless — both the original one and the Nicki Minaj remix — so that must mean something.

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Breakthrough: The Programme

Programme

WORKSHOPS

Oh The Places You’ll Go…
11AM – 12.30PM  |  Function Room
Creative Writing workshop

A creative writing, creative thinking workshop based on the Dr. Seuss short story “Oh the places you’ll go”: a story about falling down and getting back up again, following your dreams and in the process discovering things you never thought possible. This workshop is designed to stimulate stories of personal discovery, of healing and of positive change and progression. It will explore the different ways of writing to create verse, prose and short stories. We will use these and combining techniques from the writing of Dr. Seuss; Repetition, patterns and positivity, to make our own unique stories of the places we’ll go. Facilitated by Jeni-Louise.
PRE-REGISTER FOR A SPOT HERE.

“Rescuing” Princesses & Pontianaks
11AM – 1.30PM  |  University Lounge
Creative Writing Workshop

Myths, folk-tales and stories impact who we are and how we behave​ ​as a society. In this workshop we will discuss and analyze some popular​ ​tales from different cultures, and invite you to re-write a story of your choice in a gender​ ​balanced way. Come be part of the conversation on how to create​ ​stories that positively influence the next generation. Facilitated by Raksha Mahtani and Radhika Pandya.
PRE-REGISTER FOR A SPOT HERE. 

DISCUSSIONS

Human Library
12.45PM – 2.15PM  |  Function Room
Discussion

At the Human Library, attendees will have the opportunity to hear stories and have conversations with participants who will be sharing their personal experiences of gender-based violence and marginalisation as young people in Singapore. Many of these stories, like surviving dating violence as a teenager, battling misogyny in the army, being a domestic worker at fifteen and navigating Singapore society as a genderqueer person, often go unseen and unheard. Participants will also be sharing their ideas for ways forward and the role that you can play in making change. Through this event, we hope to encourage empathy for different struggles and lived experiences, and build community support around specific issues that youth care about. Register at the door.

Body Image: Privilege, Shame, Autonomy
2.30PM – 3.30PM  |  Function Room
Panel

This panel aims to create a safe space for youth to discuss and brainstorm solutions to address harmful societal discourses on body image and its associated violences (such as bullying, misogyny, racism) and harmful practices (such as disordered eating). The panel will feature four engaging speakers sharing a range of academic, theoretical and personal perspectives on these issues. Register at the door.

Featured Speakers: Teng Qian Xi, Sangeetha Thanapal, Chua Sing Rue, Sudev Suthendran

Reel Stories
3.45PM – 5PM  |  Function Room
Film Screening and Discussion

We will be screening two short films by local filmmakers, “Kristy” and “Unheard Voices of the Red Light District”. The following discussion will extract and examine the issues the films unravel, their real-life implications and  how we can respond to them so as to bring positive change. The discussion will be facilitated by Vanessa Ho, the coordinator of Project X, a social initiative advocating sex workers’ rights in Singapore, and Marcia Ong, director and cinematographer of Kristy. The session will be moderated by Alex Tan, a youth Change Maker.

Unheard Voices of the Red Light District is a film that brings us deeper into the lives of Singaporean sex workers. Volunteers from Project X gathered interviews from 11 sex workers and together with artists Dixie Chan and Felicia Low, have created a film that hopes to raise awareness on issues faced by Singaporean sex workers in Singapore.

Kristy is a film about an 8-year old tomboy who loves to wear her favourite t-shirt. Her mother, however, would prefer her in dresses. The two go head-to-head in this touching tale of individuality, identity, and independence.

Death Wears A Dress
6PM – 7PM  |  Function Room
Panel

How do traditional gender roles play a part in the how women are imagined in the realms of horror and myth? How are these imaginings premised upon everyday assumptions regarding a woman’s place in society? Death Wears a Dress is a panel discussion put together by We Can! Singapore and EtiquetteSG, comprising writers and academics interested in the intersections of gender, culture, myth and monstrosity.

Featured Speakers: Nurul H., Ad Maulod and Zarina Muhammad. // Moderated by Tania De Rozario
PRE-REGISTER HERE.

PERFORMANCES

Boys Will Be Boys
2PM – 3.15PM |  University Lounge
Interactive theatre

Boys Will Be Boys is a Theatre-in-Education programe, scripted in the overlooked male perspective. It portrays commonly seen gender stereotypes and their effects on individuals. It is designed to explore how the pressure on boys and men to be masculine in certain ways can impact violence against women and other men. The piece intends to empower men and boys to challenge and break this cycle. Shoes Theatre is an applied theatre collective formed in 2014. Focusing on the participatory nature of drama, its programmes focus on local issues, in hopes to impact a positive change.

Reflection Affection
3.30PM – 4PM |  University Lounge
Dance performance
This dance, curated by youth Change Makers from Because I’m A Girl, a campus group from UWC East, communicates the struggles girls face everyday regarding their body image. It explores complex themes such anorexia, peer pressure and the importance of self acceptance. 

Till Death Sets Us Apart
1.30PM and 5PM |  University Lounge
Dance performance 

Margueritte Vermersch is a 15-year-old dancer who has been dancing for 8 years. She will be performing a piece titled Till Death Sets Us Apart, about a young girl who is going through abuse at the hands of someone close to her, and how she decides to let go. She believes that sending a message of passion is the best way to make the audience feel what the artist is saying.

Who Am I?
4.30PM – 5PM |  University Lounge
Dance performance

This dance piece, titled Who Am I?, will be performed by 12 Contemporary dancers, all students at United World College (East Campus), using movements, speech and visuals exploring the idea of gender stereotypes and bullying. The dancers portray various ‘accepted’ gender roles as well as roles that are frowned upon thus evoking internal conflict and pressure within themselves. The dancers take you on their journey through solos, duets and group work and leaves the audience questioning the actions and words of society.

Missed Connections Performance
5.15PM – 5.45PM  |  Function Room
Mixed Media Performance

Interrobang’s performance aims to explore the relationship between the sights, sounds and words of gender-based violence. Through an experimental fusion of sonic art, film and spoken word, this performance intends to challenge the status quo, and microaggressions which are so deeply concealed in our everyday lives that we are oftentimes unaware of their existence and how they contribute to gender-based violence.

Shh…Diam!
5.45PM and 8PM |  University Lounge
Live Music

Shh…Diam! is a queer feminist band from Kuala Lumpur and consists of Yon on guitar, Farah/Faris on guitar and vocals, Yoyo on bass and Jellene on drums. They aren’t athletes. Established since 2009, they plan to expand into a line of bespoke clothing that speaks the language of the soul. Until then, you can buy their t-shirts. Check them out at facebook.com/shhdiam.music

Body/Language
7PM – 8.15PM |  University Lounge
Spoken word performance

Body/Language was a series of creative writing workshops co-developed by WE CAN Singapore and Etiquette SG for the Singapore Writers Festival. The workshops aimed to engage participants in an effort to unpick prevailing notions of gender and to uncover experiences and stories of their own bodies through poetry. This presentation will showcase some of the work developed by workshop participants, who come from diverse backgrounds, as well as spoken word pieces by talented youth Change Makers who have written especially for Breakthrough, Hannah Bedford, and Ananya Sood.

ACTIVITIES 

Pretty Ugly
3.30PM and 5PM  |  University Lounge, Studio Room 1
Interactive Performance Art

Society’s unending preoccupation with women’s physical beauty has serious consequences on women’s health, body image and morale. Impossible standards of beauty inflicted by the media, culture and society are a form of everyday violence that women and girls have to grapple with. Explore conventional ideas of beauty through this performance art piece where two artistes give you the unusual opportunity to “beautify” and “uglify” them with the items presented. Each performance will last 20 minutes. Audience members are invited to use the products available on the artistes, who present as a canvas for your expression.

Stepping Stones
Ongoing  |  University Lounge
Interactive Installation

Build a growing installation using pebbles and words to create a path towards a society free of gender inequality, oppression and violence. The stepping stones to change can be written or drawn on, signed or anonymous. Put down words or images that represent positive change, better alternatives, moments of growth, new perspectives and experiences of healing that may have happened in your life of someone else’s. The Path is made stronger with every stone added.

When Bellies Speak
2.15PM and 5PM  |  Patio
Activity facilitated by Dana Lam

The belly, the part of the body below the breastbone containing the stomach and the bowels, is the acknowledged storehouse of personal strength and creativity in many cultures. At When Bellies Speak, you will learn to make a plaster cast and turn your belly into an objet d’art representing your inspiration, your hope, your joy, your life’s stories. You will strengthen the connection with your personal powerhouse and have a work of art unique to you. With your permission, your stories may be recorded and edited for inclusion in installation of the casts. This activity will be facilitated by Dana Lam. Dana Lam is a published author and artist. Her work includes She Shapes a Nation (2009) , a short film of women’s voices. She is a former president of AWARE and teaches part-time at LASALLE College of the Arts.  When Bellies Speak is inspired by the joy, the courage, the labour and camaraderie of women. It is supported by The Arts Fund.

Breakthrough
Ongoing |  University Lounge
Installation

A seemingly harmless advertisement can adversely influence our personal idea of what an ideal body type should be. With present-day media being the highly influential medium that it is, we may feel the need to conform to body stereotypes portrayed by the media. But we don’t have to. Join us at our ‘Breakthrough’ booth. Together, we can break away from the boxes that the media put us in and be the unique individual that we all are.

Seeing The Unseen
Ongoing  |  University Lounge
Photography Installation

Often abuse and violence are associated with overt physical scars and visual signs of exploitation. However there are a other forms of abuse including using derogatory language, strict gender roles, pshycological abuse and narrow notions of beauty that are often not acknowledged by society. The aim of this exhibition is to help people to acknowledge that there are other forms of violence. We need to challenge our acceptance of violence instead of normalising it. This exhibition is presented by Maria Shah and Nisha, students from Because I’m A Girl, UWC Tampines.

Missed Connections Installation
Ongoing  |  University Lounge, Studio Room 2
Interactive Installation

At this interactive installation by Interrobang, visitors will write down their individual commitment to help end gender-based violence, pose with their commitment and have their pictures taken against photographs of settings where gender-based violence occurs. Part of the installation is a scrapbook of findings when the group went around to various places in Singapore to interview members of the public from all walks of life, asking them about forms of gender-based violence they had experienced and the ways in which their gender identities are policed by society. Through this installation, we hope to allow audiences to identify everyday forms of gender-based violence and to empower them to make a change in their community.

 

PLUS booths by UN WomenRed Pencil and Star Shelter.

Categories
Blog

“WARNING: OPINIONATED FEMINIST”

This piece was written for the Body/Language creative writing workshop, co-organised by We Can! Singapore and Etiquette SG. IMG_2737

There used to be a postcard on the inside of the door of my university dorm room. In black and white block letters against an eye-catching red background, it read: ‘WARNING: OPINIONATED FEMINIST’, and was pasted above the peephole of my door. A few months ago, a schoolmate who was in my room asked, “Shouldn’t this sign be outside? What’s the point if you put a warning sign and no one except you can see it?”

I didn’t know how to explain it to him. But I said, “I’m afraid I’d scare away the boys!”

He plopped down on my bed and laughed. “I thought I’m the one who’s into boys, not you.” He looked at me knowingly. “Are you even interested in boys?”

Maybe he thought I was only interested in girls but I don’t think he knew how much I used to hate them, especially the long-haired variety. Girls were a foreign species, too emotional, docile, and weak. So I observed the ways boys acted and tried my best to emulate them. ‘Top baby boy names in 2012’, I googled, then decided on a male name for myself – Sherman, which translates to ‘wool-shearer’. I became one of the boys when I cut my hair short in Junior College. Not pixie short, but boy short. It took me quite a while to master the art of styling short hair, but when I did, I thought I looked f**king fabulous. I shunned dresses and skirts, wore shirts and pants instead. I had never really wanted to burn bras, but I once contemplated setting my school skirt on fire in the middle of the school garden upon graduation.

Halfway through my last year of school, I struck off number 24 on my bucket list: wearing boy pants to school instead of the school skirt. That day, my friends said something I knew was a long time coming. They told me I was a lesbian long before I identified as anything other than straight. Others didn’t say it but I could see it in their eyes when they walked past me in school corridors.

78 judgmental looks and 21 unwarranted remarks later, I settled down at a small table outside the school library to summarise ‘Oranges Are Not the Only Fruit’ for a literature class. Chapter 6, the church finds out about Jeanette’s and Melanie’s relationship of “unnatural passions”. They are pulled up and accused of falling under satan’s spell.

I looked up from my book. Jacob, an ex-classmate, was walking towards me with a hotdog in his hand. He took a seat at a table directly opposite mine. We were less than 2 metres apart, a little too close for comfort. I tried to ignore him and focus on my book but from the corner of my eyes, I could see that he was looking at me. A bite in his hotdog, he stared straight at me. A few minutes, then another bite, his eyes still fixated on me. I put down my book. It was late in the evening and there didn’t seem to be any other students around. I started throwing my study materials into my bag, all the while keeping my head down. A couple of his classmates joined him at the table with their own snacks and I quickly left the area with my things messily stuffed into a bag that was not properly zipped, feeling his gaze trailing my back, burning a hole through those dreaded pants of mine.

My phone beeped. A text message from a friend who was at his table. “Jacob is asking us what the f**k is wrong with you, says you’re a lesbian who will grow up f**king girls.”

I ran straight to the handicap toilet and locked myself in. For half an hour, I sat on the toilet bowl seat then paced around in the tiny cubicle, too afraid to go out. At some point, I un-zipped my bag, took out a pair of FBT shorts and changed into it. But I felt like a coward for giving in so I changed back into pants. I unlocked the door and was about to open it when I heard voices from outside. School kids laughing and shouting to one another. I locked the door again. I couldn’t do it; I couldn’t walk out of the toilet like that. So I changed into the FBT shorts, waited until the coast was clear before I made a beeline out of school. The stares wore me down, and Jacob was my tipping point.

I fantasised about going up to Jacob on the last day of school in a complete male school uniform (a button-down shirt, pants and a tie) and telling him to his face to take his queerphobia somewhere else because who I am and who I end up sharing my bed with really is none of his f**king business. I mapped out the precise location he would be sitting at in the canteen and the company he would be surrounded by. I even scripted my lines. But of course, that never happened. Instead, I did the most instinctive thing a young, would-be queer could possibly do. I wrote an angry blog post about gender and sexuality on my WordPress website.

For the rest of the year, the ‘click’ of the handicap toilet door as it locked would become a familiar sound. I had few friends, sometimes I had no friends. And gradually, the handicap toilet became my best friend.

I bumped into Jacob recently at my school lobby when he came to visit his girlfriend who studies here. Our eyes met for a second then I quickly averted my gaze, ran back to my room and locked my door, taking deep breaths to calm myself. I looked at the postcard on the inside of my door. “WARNING: OPINIONATED FEMINIST”, it read.

I didn’t want to proclaim to the world that I’m a feminist because I have never felt particularly welcome nor safe in my own university. Once, somebody anonymously posted a letter publicly addressed to me on my university’s Facebook group:

“Dear Sherlyn
Everything seemingly misogynistic, rape-positive, sex-negative, anti-feminist, slut-shaming, anti-woman is NOT ALL THE S**T YOU THINK IT TO BE. PLEASE STOP YOUR PSEUDO-FEMINIST AGENDA. Get a sense of humour. If you don’t, the only ‘change’ you’ll create is your number of friends… closer and closer to zero.”

That was not an isolated incident.

In the wake of all these, I create a performance art piece cum public statement. In the school library, I print out all the anonymous attacks I’ve received on A4 sheets of paper. Each sheet of paper features one anonymous comment. No two sheets contain the same comment. I print out 16 of those. Then I print out another sheet of paper with all the comments and cut them up into smaller strips. I head to the nearest utility shop and purchase blu-tack, scotch tape and small table mirrors. During lunch break, I walk to the middle of the dining hall and arrange the printed sheets in a circle, sticking them to the floor with blu-tack. Behind each sheet of paper, I set up a mirror facing outwards. I stick the small strips of comments onto my back with scotch tape. Finally, I step into the middle of my circle and sit down. Some students ignore me entirely, others come up close to read the words. I invite them to take a stand by sitting with me.

In my head, no one joins me.

In reality, none of that ever happened and it probably never will. Instead, I did the most instinctive thing a young, angry queer feminist could possibly do. I left my university’s Facebook group and wrote a post on an anti-violence against women blog.

There used to be a postcard on the inside of the door of my university dorm room. It’s a sign that reads: “WARNING: OPINIONATED FEMINIST”. At some point this semester, I moved the sign to the outside of my door. When I look through the peephole, I sometimes catch students sneaking a stare at my door decorations when they walk past my room. Could any of them be the ones behind the personal attacks? In a school where ‘feminist’ is a dirtier word than ‘f**k’, where being queer makes you a walking target, what do you choose: hiding behind locked doors, or social suicide? I am tired of playing this game, and if there’s one useful thing that 14 years of schooling has taught me, it’s that you can’t win either way.

About The Author: Sherlyn turned 20 this Halloween. She likes insects and arachnids, and once had a pet snail named Fluffy that was unintentionally murdered by a schoolmate. She’s a second year student at Yale-NUS with plans to specialise in creative writing and work as an editor/writer at some place that won’t cen-sor her subversive “pseudo-feminist agenda”. She’s been quoted to “only ever wear social justice tees or gothic clothing”.

Categories
Blog

Redefine Masculinity


The following is by the creators of this video, Change Makers Alex Tan, Arvind Soundarajan, Hu Bing Cheng and Jeriel Teo:

“Through this video, we aim to demonstrate the underlying prejudices that most men perpetuate. A variety of sources, from the media to our family upbringing, has ingrained certain concepts of what it means to be a man on a profound and subconscious level. We hope to provide our viewers with a valuable perspective on how men view themselves and other men. Most importantly, we hope viewers will recognize how both the media and society impose stereotypes that influence the way we live, act, and speak. Then during this process, reconsider what being a man means to themselves.

In the early stages of the video, we had the intention to mock narrow conceptions of masculinity. However, we realized this satirical intent assumes that viewers can already identify the rigidity of gender roles. Satire can be easily misunderstood without prior knowledge, and this video could then be misinterpreted as reinforcing traditional gendered expectations.

The very idea of “masculinity” is problematic because it excludes and discriminates against those who do not conform. Also, “masculinity” is always defined against and in opposition to “femininity”, which reinforces the inaccurate concept that men and women are essentially different because of the biological sex they might have been assigned at birth.

Our message is not to bash on anyone’s concept of masculinity, but to suggest that there are alternatives to what society has been drumming into us from the beginning. Redefining masculinity is about realising how gender stereotypes are imposed on us and then making an informed decision on who we want to be.”

Categories
Blog

Disarm the Body Police

By Vincent Pak, Change Maker

Transitioning to a more relevant society today will, more often than not, be met with resistance, especially one with largely conservative Asian values such as Singapore. The dos and don’ts of how a woman should behave and carry herself is contested and policed everyday; they are incessantly subjected to the critique of the public. A woman’s right to her body is her own, but sexist societal standards still deem an open-backed dress as ‘slutty’, a short skirt as shameless.

Would we do the same to men? image

The week-old Takashimaya saga where a lady was shouted at by an older woman for dressing ‘inappropriately’ was the talk of the town. The older woman was angered by the lady’s open-backed top that revealed her bra, and warned her not to dress like that in public. A simple case of exacting personal moral judgement on the youths of Singapore.

The so-called appropriateness of a woman’s choice of clothes has been debated ad nauseam, but it is never acceptable to belittle her because of that. A browse through the comments on forums and Facebook will surface a common and disheartening sentiment amongst the peeved netizens: the lady should have covered up.image_4Imagine if it was a man wearing low cut jeans that revealed his briefs. I dare presume that the incident would never have happened. The double standards we enforce on girls and women harm them. We cite reasons like shame and modesty to police their bodies, and denigrate them when they fall out of our own standards. A woman who embraces her sexuality is frowned upon, while her male counterpart is cheered on for doing the same.

We place value on a woman’s body, and deduct it accordingly when she loses her virginity, or dresses revealingly. There is an inherent problem in the way we objectify and govern their bodies like it is our own. When will we realise that body-policing and body-shaming is simply another form of violence?

Alarmingly misinformed netizens went on to slut-shame the lady for inviting trouble with her revealing outfit.

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image_1image_2The freedom of opinion is a right, but we must be aware of the sexism that coats what we read, hear and watch. The lady’s outfit may have offended the older woman, but we should seek to understand that it is not in anyone’s jurisdiction to police someone else’s body. The incident reflects the prevailing sentiment that a woman must display decency and dignity, and that is a stereotype we have to unlearn.

The next time you label a woman solely based on how she dresses, remember it is her prerogative, not yours.

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About the author: Someone once told Vincent that liking pink as a favourite colour was perfectly fine. That was enough reason for him to subscribe to feminism, because it allowed him to drink strawberry milk with confidence. Still serving his National Service, Vincent enjoys the occasional fantasy that sexism is dead in the military, but stalwartly trusts that he won’t be in denial someday. He is passionate about naps, and prefers baby blue over pink now.

Categories
News & Updates

SHATTER- We Can! Singapore’s Youth Year Launch

Youth at the event came up with different gender stereotypes they'd like to break. Warning: images in this mirror might be distorted by socially constructed notions of beauty.
The SHATTER Sculpture was the centrepiece of the whole event. A compilation of stereotypes the youth reject, written on pieces of reflective paper, the SHATTER Sculpture is a symbol of youth shattering gender stereotypes that they face in daily life. These stereotypes include those related to body image, domestic roles, women in academia, as well as masculinity and sexuality.
 

One of the events we were most excited about this year was SHATTER, our launch event for the start of our Youth Year. SHATTER was held at the beginning of June at our partner venue, *SCAPE, and aimed to promote an inclusive youth culture through the celebration of individuality and the right to be free from shame, discrimination, bullying and violence. The event focused on shattering gender stereotypes that youth face in daily life, with various activities and performances to bring this message home.

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We had 200 youth coming by our booths and watching the speeches and performances at *Scape.
 
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Throughout the day, about 200 people participated in SHATTER, taking part in our community art booths, watching local musicians use their art to speak up against violence and youth speaking out and sharing stories of their personal experiences with bullying, shaming and violence. The name of the event centred on our SHATTER sculpture, a broken ‘mirror’ that we constructed with shards that we invited people to write on. Each shard carried a stereotype that they wanted to break. Other booths involved T-shirt stencilling and body painting with empowering slogans, a photo booth which invited free gender expression and graffiti walls marked with colourful handprints! We were also enthralled by the stories and music that was shared on the day. There was a great feeling of support and a sense of community which moved us tremendously.

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We had 200 youths coming by our booths and watching the speeches and performances at *Scape.
 
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We believe hearing the perspectives of those who came forward to share the challenges they faced as young people (such as cyber bullying, body shaming and dating violence) prompted other youth in the audience to think differently about how they view themselves and others. We hope that SHATTER got you thinking about what you can do to break out of restrictions that society places on all of us, and how you can help others be free to be themselves.

Both UN Women and SlutWalk Singapore had a booth at our event! It’s always nice to have allies.
Learn more about UN Women here: http://unwomen-nc.org.sg/
and SlutWalk here: http://slutwalksg.com/about/

Want to check out more photos from the event? Click here to go through our Photo Gallery!